Sure enough, QQ Music collapsed as soon as Jay Chou released his new song. Tencent can't hold back the tears of the people. 果然，周杰伦发行新歌后，QQ音乐就崩溃了。腾讯无法忍受人们的眼泪。
Sure enough, QQ Music collapsed as soon as Jay Chou released his new song. Tencent can't hold back the tears of the people.
When I opened the page for the first time, I eagerly checked the lyrics and the name of the author. When he saw Fang Wenshan, he was finally relieved. The only regret, this is not a Chinese style.
I can't remember when the last Jay Chou song that was able to be sung on a large scale and the heart-stirring Chinese style appeared. In recent years, Fang Wenshan has also been very busy. It's making movies, publishing books, and doing web dramas. Obviously, he had forgotten his important position in the Chinese word circle for a while.
He didn't know that the place was dusty and sick.
I really want to go back and talk about Chinese style writing. In fact, Hong Kong had it as early as the 1980s.
That generation of China's wind energy has become a climate, first of all, we must thank a person named Cha Liangyong.
In 1972, Jin Yong published "The Deer and Ding Ji" in the newspaper and immediately sealed the pen. Just the previous year, Run Run Run, who joined TVB, founded the "Wireless Actor Training Class". If you spend money to train a group of actors, there must be some acting.
1972年，金庸在报纸上发表了《鹿鼎记》，并立即封了笔。就在前一年，加入TVB的Run Run Run创立了“无线演员培训班”。如果您花钱训练一群演员，那一定有一些表演。
In 1976, TVB tested the film "Book of Swords and Enmity Records" starring Zheng Shaoqiu. The response was extremely enthusiastic.
Entering the 1980s, TVB filmed Jin Yong's novels almost once a year, quickly becoming the "Wireless Five Tigers". It can be said that the entire Jin Yong martial arts dramas in the 1980s were arranged by TVB. Among them, there are Huang Rihua's version of 83 "Shooting the Condor", "The Deer and Ding Ji" starring Tony Leung and Andy Lau, "The Couple of Condor Heroes" starring Yang Guo and Andy Lau, and "The Swordsman" starring Chow Yun-fat.
It was not until 1989 that Tony Leung finished "The Heroine" and moved to movies. The Feng Shui of Jin Yong's drama went to Taiwan.
In 1991, the Taiwan version of "Snow Mountain Flying Fox" completely surpassed the original TVB Lu Liangwei version of the limelight. This version is broadcast on the mainland. In 1994, Ma Jingtao's version of "Yi Tian" was published in Taiwan. Zhou Haimei's Zhou Zhiruo and Sun Xing's Yang Xiao have become unshakable classics. Even Jin Daxia joked:
Three years later, Ren Xianqi, who sang "The Heart Is Too Soft", became popular and took the opportunity to film Jin Yong's drama. Unfortunately, at that time, Louis Koo’s version of "Sculpture of Gods", Huang Rihua’s version of "Dragon Babu" and Chen Xiaochun’s version of "The Deer and Ding Ji" were also published in Hong Kong. As soon as these three plays came out, they literally pressed Ren Xianqi on the ground.
It is in these ten years that a large number of martial arts drama theme songs have emerged.
The inevitable martial arts vocabulary such as the sons and daughters of the rivers and lakes and the grievances of Hong Chen constituted the first batch of Chinese style flesh and blood. And those who write the lyrics for these theme songs are basically people with a lot of background. For example, the song "Iron Blood and Heart" that is most familiar to mainland audiences, is the author of Deng Weixiong, who wrote "Thousands of Waters and Thousand Mountains are Always Love".
Deng is the mainstay of TVB screenwriters and is known to write hundreds of plays a year. Due to professional needs, I read all the martial arts novels in the country at that time. He is a Bachelor of Social Science from the Chinese University of Hong Kong, a Master of Arts, a Doctor of Philosophy from the University of Hong Kong, and the son-in-law of Jao Tsung-i, a master of Chinese studies. Visible profound background. It’s no wonder that with a stroke of the pen, it means, "I vaguely dreamed like I have seen it before, but my heart is upset, leaving the world aside and sorrowing, and being with me to the horizon."
Deng Weixiong also filled in a poem, which was the theme song of Chow Yun-fat's "Swordsman". The singers of this song are Ye Liyi and Ye Zhentang. Of these two people, one sang "Shanghai Beach" and the other sang "The Great Wall Never Fall". The writer of "Wan Li" is named Lu Guozhan.
As the initiator of the "Non-Love Song Movement" in the Hong Kong music scene, he wrote the familiar song "Little Li Fei Dao". At that time, "Xiao Li Fei Dao" won the top rankings for 15 weeks, and it was so popular that even Rowan was stunned.
As for Taiwan, it had to rely on Hong Kong to assist in the beginning.
The theme song "Love in the Snow" of "Flying Fox in Snow Mountain" is also Lu Guozhan's handwriting. "Dream Chaser" sung by Feng Feifei was written by Luo Dayou, but it is not Chinese style. It wasn't until 1994 that a man named Chen Huanchang appeared, and he saved Taiwan's martial arts music. It's just that in Rolling Stone, everyone calls him Xiao Chong.
In the 1990s, the song "Love the Country and the Beauty," which will inevitably appear in major local song stations in the 1990s, is the song composed by Xiao Chong. This is one of the opening songs of Ma Jingtao's version of "Yi Tian". There are also two songs, one "The Sword Is Like a Dream" and the other "Let's Stay in Peace". The mandarin version of the former was written by Zhou Huajian, and the author of the latter was Yao Ruolong.
Yao's main battlefield is a love song, a song "The Most Romantic Thing", enough to go down in history. Unexpectedly, when he wrote about martial arts, he was so heroic, and with a stroke of writing, "I will swallow the wine to dry the bowl, and smile up to the sky with tears."
In contrast, Xiao Chong’s words are much more modern. After receiving Ren Xianqi's popularity, he wrote "Ren Xiaoyao" for "The Sculpture", which he starred in. It was obviously not as good as the "Flower Too Fragrant" that he wrote when he went to Beijing to explore. The phrase "Come on, come on, a cup of bitter wine, no one should stop it", finally caught up with half of Yao's skill.
However, putting all these people in a bag is probably worth a yellow touch.
Huang Zhan was originally called Huang Zhansen. It is said that he changed his name to Huang Zhan because he was afraid of losing in a singing competition. The singer didn't make it. He made some soundtracks for Shaw Brothers. After meeting Gu Jiahui, he almost gave up on the soundtrack and was willing to write for him. Huang Zhan is crazy, but he has always been very humble when he meets people who admire him.
After reading Jin Yong's martial arts and Ni Kuang's fantasies, he stopped writing novels and went to write pornographic stories.
It is also Gu Jiahui that can make Huang Zhan admire too much. In his early years, he was playing piano in a nightclub. He was accidentally heard by the principal of Berkeley in the United States and directly awarded a scholarship. After being funded by Run Run and returning to Hong Kong, Gu Jiahui took up the banner of TVB's theme song. Countless classic tracks are his handwriting. It happened that Huang Zhan was tired of writing advertisements, and the two hit it off and formed a "Hui Huang" partner.
也是辜家辉会让黄湛佩服太多。早年，他在一家夜总会里弹钢琴。他是美国伯克利校长不小心听到的，直接获得了奖学金。顾家辉获得“ Run Run”资助并返回香港后，登上了TVB主题曲的旗帜。他的笔迹数不胜数。碰巧的是，黄湛厌倦了写广告，两人一见如故，结成了“辉煌”的伙伴。
In 1982, Huang Rihua played Xu Zhu's version of "The Eight Dragons of Heaven", the theme songs "Two Forgotten Smokes in the Water" and "Thousands of Waters and Thousand Mountains" were arranged by the two. Huang's ease of writing about the chivalrous and tender feelings has already revealed its edge. In the second year of "Shooting the Eagles", he handed over two more familiar songs to mainland audiences, "Life is Meaningful" and "The World Is Always Hello". The arrogance and sentiment in "The World" are long and vivid.
1982年，黄日华演奏了徐祝的版本的《天龙八部》，主题曲是两首《水中被遗忘的烟》和《千水千山》。 Huang对侠义和温柔之情的轻松写作已经显示出它的优势。在《射杀老鹰》的第二年，他把两首熟悉的歌曲交给了大陆听众，《生命是有意义的》和《世界永远是你好》。 《世界》的傲慢与感悟是长期而生动的。
Under the radiance of Gu Jiahui's Chinese style, the Chinese poetry of the martial arts era finally radiated long-lasting vitality in Huang Zhan's hands. On the one hand, he benefits from his erudition and on the one hand, he benefits from his personality.
Huang Zhan has been a man who is both righteous and evil, obsessed and scumbag all his life. He has too many jokes in his life, such as kissing Leslie Cheung and molesting Lin Qingxia, going to Chua Lam's house in the middle of the night to take a bath, and writing pornographic novels for Zhou Xingchi's mother Ling Baoer to see. When he was in middle school, his younger brother was bullied by Bruce Lee. He ran to avenge him. After being cleaned up by Bruce Lee, he actually asked a group of people to go to the toilet to pick up Bruce Lee's pants. He was planning to spread the secrets in Li's crotch and was almost beaten. It is also a strange fate. Bruce Lee's eldest brother Li Zhongchen, and his ex-wife named Lin Yanni, has been entangled with him for half a lifetime. Huang Zhan was a scumbag for her.
黄湛是一个既正义又邪恶的人，终生痴迷。他一生中有很多笑话，例如亲吻张国荣和Lin亵林庆霞，半夜去蔡澜的屋子洗澡，还写了色情小说供周星驰的母亲凌宝儿看。当他上初中时，他的弟弟被李小龙欺负。他跑去报仇。在被李小龙打扫干净后，他实际上要求一群人去洗手间捡起李小龙的裤子。他打算在李的裤c中传播秘密，差点被殴打。这也是一个奇怪的命运。李小龙（Bruce Lee）的长兄李中辰（Li Zhongchen）和前妻林燕妮（Lin Yanni）与他纠缠了半生。黄湛对她很卑鄙。
Huang Zhan’s social circle is filled with people like Jin Yong and Cai Lan, all of whom have a solid foundation. Ni Kuang, who is also known as a gifted scholar with him, wrote "Jing Wu Men" to Bruce Lee and "One Armed Sword" to Zhang Che. Although they are famous as Xiangjiang, they were influenced by traditional culture in the early years. The line of martial arts was carried forward to them, and did not deviate from Chen Pingyuan’s words:
Huang Zhan's ability to write the lyrics so chivalrously is fundamentally inseparable from the taste of this literati. Later, he wrote this way of Chinese style to the extreme, mainly because Xu Hark forced it.
Tsui Hark was a director in his early years and had a strong desire for control. The filming of "Swordsman" made Hu Jinquan go away, and the filming of "Huang Feihong" made Liu Jialiang go away. I asked Huang Zhan to write the episode and wrote 6 drafts before and after. Huang Zhan couldn't help but ran to look through the "Le Zhi" and saw the words "Great Music Must Be Easy". He played the five tones upside down and wrote "A Laugh from the Cang Hai". Afterwards, the theme song of "Huang Feihong" forced him to look everywhere for the ancient scores of "General Order", shortening the long song of hundreds of sections to dozens of sections, and then wrote "A Man Should Be Self-improvement".
徐克早年担任董事，对控制的强烈渴望。 《剑客》的拍摄使胡金泉走了，《黄飞鸿》的拍摄使刘家梁走了。我请黄湛写这集，前后写了六篇草稿。黄展忍不住跑过去翻阅“乐志”，看到“伟大的音乐一定要容易”。他颠倒地弹了五个音，并写了《沧海的笑声》。后来，“黄飞鸿”的主题曲迫使他四处寻找古代的“总谱”，将数百节的长歌缩短为几十节，然后写了“一个人应该自我完善”。 。
It was these two songs that confirmed Huang Zhan's status as a master. Huang himself also said:
Outside of Huang Laoxie, it is difficult to find the second one who writes words for martial arts on such a large scale and high quality.
Luo Dayou and Li Zongsheng are both masters in the ci world, but they are not good at this. When Li Zongsheng finished writing the song "Laughing in the Red Dust", he couldn't hold back the words, or Li Manting, who wrote "Hua Xin", sat in a cafe for two hours before writing this classic, and then gave Ma Jingtao's version of "Yitian" "I wrote the song "Two Forget About Each Other."
In 1987, a young man touched Huang Zhan's edge. At that time, TVB remakes "Book and Sword Enmity Record", and the theme song actually asked four people to write lyrics together. Among the four, one is Huang Zhan, one is Zheng Guojiang who writes "The Wind Continues Blowing", the other is Pan Weiyuan who writes "The Flower Protector", and the other is Lin Xi, who has just started his career.
Lin Xi wrote martial arts theme songs in his early years, and there are only three most famous ones. A Cantonese version of "Yitian" for Taiwan, "The Sword Like a Dream", but unfortunately not widely spread. The two pieces were written by Gu Tianle's "Sculpture of Gods", called "Myth and Love". When they were introduced to the mainland, they were replaced by Xiaoke's "Returning", and they did not spread too widely. The most well-known is Huang Rihua's version of "The Eight Parts of the Dragon", "The Difficult Sutra", sang Huajian Zhou's tongue.
Lin Xi said that she hated writing lyrics in classical Chinese in her life. Fortunately, she was a Buddhist, and she wrote the manuscript on the plane when she saw that she was writing the profound meaning of Buddhism. After finishing writing, he was still very scared, for fear that Huang Zhan's "Thousands of Waters and Thousand Mountains" would not be continued. In my opinion, this is simply one of the few words in the martial arts music library that can compare with Huang Zhan. But here is the end. Later, writing the mainland version of "Forgiveness" is completely work.
Where is Huang Zhan's position, Lin Xi said earlier:
Want to climb the Chinese style in the martial arts grid, no one can write the height of Huang Zhan.
As soon as the Tang Dynasty fell, the poem came to an end, and the people of Song Dynasty could not write about the great sky. The only way is to change the case and start a new stove. From this point of view, fortunately, Li Qingzhao and Li Yu, who were obsessed with Fang Wenshan in middle school, would hardly have the R&B Chinese style that surged since 2003.
In fact, Fang Wenshan didn't think so much when he first wrote it. It was purely playing with Jay Chou. In this matter, they must first thank a person named Yang Junrong.
At the time he participated in "Super New King", in order to attract Wu Zongxian's attention, Jay Chou wrote a "Cookbook Song". Wu Zongxian recruited him, but he was busy making money and didn't care much about Alfa's affairs. Had it not been for Yang Junrong to discover the "Lovely Woman" written by Jay Chou, Jay Chou's floor shop would not know when he would go to bed. It is said that Yang Junrong called Wu Zongxian the next day and said that you handed this young man to me, and I promise him to be popular.
That is to say, in the eyes of Yang Junrong, Jay Chou got a large enough creative space and sent 100 works to Fang Wenshan of the record company, which also received enough respect.
In his early years, Fang Wenshan didn't want to be a lyricist, he wanted to be a screenwriter. While working part-time, I went to a screenwriting training class. As a result, there is no way to get into the business, so I save the country and write lyrics first. However, none of his thick piles of poems can be appreciated by Jay Chou. Judging by his talent at the time, it was indeed not very high.
He is not as good as Luo Dayou when it comes to writing about worldly insights and the depth of society, and he is not as good as Li Zongsheng when it comes to writing about life’s deep insights. Lin Xi is already at the top of the overall arrangement of capturing the delicate mood and writing words. Fang Wenshan is not good at creating works based on life experience to make listeners have strong realistic emotional resonance.
Fortunately, he knows his longboard, which is to create a sense of picture. Every time you write a work, you first collect a bunch of relevant information, and then switch the scenes to write it like a movie script. He just took this path and wandered out of the original montage style. This is why, also never been to Shanghai, Huang Zhan wrote the energetic "Shanghai Beach", and Fang Wenshan wrote "Shanghai 1943" with one sentence and one painting.
Unexpectedly, leaving aside the emotional depth, it opens up the breadth of poetry. Ninjas, castles, bullfighting, turtledoves, and nunchakus can all be integrated into Jay Chou's singing.
When working on the first album "JAY", after listening to a piece of Jay Chou, Fang Wenshan wanted to try the classical style. So I wrote two editions, one Chinese-inspired "Lady" and one love song. Fang Wenshan thought that Jay Chou would choose a love song, but the other party chose Chinese style. In 2001, Fang Wenshan was nominated for the Golden Melody Award for Best Lyricist for "The Lady". The two immediately decided to continue this style.
方文山制作首张专辑“ JAY”时，听了周杰伦的歌后想尝试古典风格。所以我写了两个版本，一本是中国风格的《女士》，一本是情歌。方文山以为周杰伦会选择一首情歌，而另一方则选择中国风格。 2001年，方文山因《淑女》获得金曲奖最佳作词人提名。两人立即决定继续这种风格。
In 2003, "East Wind Broken" was broadcast all over the streets. It just so happened that it was the day when singers and composers emerged one after another. If there weren't one or two Chinese styles among the people who released the album at that time, I would be embarrassed to call themselves a singer-songwriter. And those who walk the rivers and lakes as a lyricist, and haven't filled in one or two songs that are related to the Chinese style, are not too embarrassed to mix in this business. The so-called Chinese style in the Chinese music scene suddenly became the climate.
Although many lyricists do not mark the ancient time and space as clearly as Fang Wenshan wrote "Fa Ruxue" and "Chrysanthemum Terrace", and borrow the meaning of poetry so cleverly, they still have to work hard.
For example, Lin Qiuli, who wrote "Listening to the Sea" for Zhang Huimei, already has two brushes for writing hurt love songs. Still ran to write a song "Jiangnan" for Lin Junjie. After listening to the "Darkening" he wrote to Adu, I couldn't think that he would later write the sentence "Cao Cao" in "Cao Cao", "Cao Cao is not long-winded, he wants to take Jingzhou." As Zhang Huimei’s agent, Chen Zhenchuan, who followed Fang Wenshan’s path, wrote "Hua Tian Wrong" to Wang Leehom and "Pirate" and "Dancer" to Tsai Jolin, almost made me think he was Fang Wenshan carrying Jay Chou on his back. number.
Of course, the climate can be formed, but Fang Wenshan's words are not shocking.
After his personal style was established, it directly influenced the record market. When Zhou Huajian wrote songs in his early years, an important indicator given by the company was to be suitable for karaoke singing. Because as long as karaoke becomes popular, the song will become a hit. Unexpectedly, Jay Chou was born, directly changing the direction of the wind. The entire Chinese music scene has begun to R&B and Chinese style. The original martial arts singer Zhou Huajian didn't know how to write songs anymore.
In those days, Li Zhuoxiong, who wrote "The Fruits of Midsummer", ran to write "Susan Talk" for Tao Zhe, and Yi Jiayang, who wrote "Single Love Song", ran to write "Mulan Star" for Zhang Liangying. Amateur Lin Wenxuan wrote "Farewell Poems" and "Hong Yan" to Hu Yanbin, Tank himself made "Millennium Tears" and "Three Kingdoms".
Everyone catch up with me and work together to enrich the Chinese style music library.
For a time, it is really good wind and strength, R&B is on the horizon.
However, soon things changed.
In 2006, "Still Fantasy" hadn't been released yet, and a new album called "Earth Beauty" suddenly appeared on the market. The works in the album are fake works under the name Jay Chou. One of them is called "The Funeral of Roses", which has attracted special attention. Just the previous year, a song called "The Bridge Section" on the Internet was also circulated as a new work by Jay Chou. In fact, the author of the two songs, one is Xu Song, the other is the second string.
在2006年，《 Still Fantasy》还没有发行，新专辑《 Earth Beauty》突然出现在市场上。专辑中的作品是周杰伦（Jay Chou）的假货。其中之一被称为“玫瑰葬礼”，引起了特别关注。就在前一年，周杰伦（Jay Chou）还在互联网上发行了一首名为“ The Bridge Section”的歌曲。实际上，这两首歌的作者，一首是徐松，另一首是第二首。
When he was still studying at Guangxi University, Deng Wenbin began to play music. He formed a short-circuit band and won the title of Top Ten Singers in his alma mater for three consecutive years. At that time, there was a "Pioneer Chart of Creative Songs" in Guangxi. In 2000, Deng's debut work "Grey Rose" won the championship for five consecutive weeks, and has since embarked on the path of originality.
邓文彬在广西大学读书时就开始演奏音乐。他组建了一支短路乐队，并连续三年获得母校的十佳歌手称号。当时，广西有一张“创意歌曲先锋图”。 2000年，邓小平的处女作《灰玫瑰》（Grey Rose）连续五周获得冠军，此后便走上了独具匠心的道路。
After graduation, he went to an advertising company to study planning and got in-depth exposure to some music production. In those two years, under the influence of Jay Chou, he began to write Chinese style and gradually published songs on the Internet. Early in the morning, he wanted to call himself "Ghost Axe", but his friend said it was too confusing. Deng took the name Hou Xian, which means "post-modern string tone".
When Hou Xian began to post songs on the Internet, Xu Song was admitted to Anhui Medical University. After joining the club, he began to compose and write lyrics. In 2006, Xu Song used Vae as the screen name to release the single "Park Seven". The release location is the famous decibel network. Xu Song did not expect that this website would change his life.
侯县开始在互联网上发布歌曲时，徐嵩被安徽医科大学录取。加入俱乐部后，他开始作词和写歌词。 2006年，徐松以Vae作为网名，发行了单曲“ Park Seven”。发行地点是著名的分贝网络。徐松没想到这个网站会改变他的生活。
The decibel network of the year can be regarded as a prince. After CEO Zheng Li met the singer "Xiang Xiang" online, he spent 2,000 yuan to set up this music community. Xiangxiang became the first "online contracted singer" in the country.
In 2004, "Mouse Loves Rice" debuted in decibels, which directly caused the popularity of the website to explode. Song uploads accounted for three-quarters of online music. In 2006, the decibel became the only platform for the collection of Super Girl original music.
2004年，“老鼠爱赖斯”以分贝的形式首次亮相，直接导致了网站的爆炸式增长。歌曲上传占在线音乐的四分之三。 2006年，分贝成为了收集Super Girl原创音乐的唯一平台。
"The Funeral of Roses" was actually not written by Xu Song, he only participated in the arrangement and sang. The original Li Yijie is an iron fan of Jay Chou, so the style is very similar. After "Mei" attracted attention, Xu Song soon ushered in a fate similar to that of Hou Xian, but he was slightly lucky.
As soon as "Liao Duan" became popular, You Culture Company immediately signed the second string. In 2005, as a newcomer, he sold 200,000 copies of his "Gu Wan". Immediately afterwards, the song "West Chamber" was a hit on the Internet, and "Kunming Lake" was also regarded as a boost to the Chinese style. Unfortunately, it didn't take long for the company to find that it was too extravagant to support him in doing Chinese style. No matter how it was done, it would not have the popularity of Taiwanese singers and composers. It would be better to sell divine songs. So he kept on letting him export the water song, almost reducing him to a non-mainstream level.
After decibels discovered Xu Song, he was also thinking about money. After Decibel signed him, let him go to Beijing to perform for Lenovo's event platform. Xu Song spent a few days and nights writing songs, and finally went to Beijing and lived in a bad hotel. Finally, Lenovo changed the hotel. After that, Decibel engaged in an online singer selection competition, and he had to participate in it and borrowed his popularity to earn money for text canvassing. So angry Xu Song wrote in his blog:
Fortunately, in 2009, the CEO of Decibel, Zheng Li, was sentenced to 6 years for organizing a large-scale obscene performance. Xu Song turned to sign a record company, and went more and more stable. He wrote "Old Enemy" and "Demolition of the East Wall", and co-authored the first "Mulan" with Fang Wenshan. At that time, there was no sound of the backstring on the rivers and lakes.
Whether it is Wang Leehom and Lin Junjie who have extended the creative dimension, or the Tank and Backstring who became popular and then silenced, in Jay Chou's peak ten years, the Chinese style of the new era has really attracted all kinds of heroes to compete for beauty. Fang Wenshan's beautiful pen, although it is not like Huang Zhan to open up the master atmosphere, at least let the classical poetry infect the audience and enhance the beauty of the Chinese lyrics.
Lyricists like Huang Zhan and Deng Weixiong are deeply infiltrated by traditional Chinese culture, have a foundation of old learning, and come from the age of immigrants from Hong Kong, with the roots of family and country in their minds. Therefore, the Chinese style of martial arts of that generation does not simply talk about martial arts. Huang Zhan's various sentiments in the martial arts theme song are not inferior to the famous song "Below the Lion Mountain". It is very normal for future generations to be difficult to surpass.
And Fang Wenshan took a different approach, weaving stories through classical imagery, this set of writing basically reached his point. Hearing what he later wrote about "Drunk Red Cliff" and "A Bridge of Fate" is obviously not as complete as "A Thousand Miles Away" and "Chrysanthemum Terrace" in the early years. Due to the repetition of classical imagery and the similarity of grammar, some lyrics always sound familiar. It's hard for him to get to the next level.
I originally thought that since even the patriarch Fang Wenshan could not recreate the magic in this Chinese style, and the same lyricists who used ancient poems, they could probably clean up and sleep.
Facts have proved that I really underestimated the ambitions of creators.
I don’t know when it started, probably because of the multifaceted bombardment of Gongdou Opera, Internet Antiquity, and Xianxia Fantasy Games, one after another, songs full of classical flavors came out.
The authors of these words obviously saw that Teacher Fang Wenshan had a low degree, and Xu Song was only a medical student. Since they can use classical poetry into their songs to become popular, they are not bad. No, they are not bad. If Fang Wenshan's image collage is post-modern, then they will have to do post-post-modern, post-post-modern, and destroy Chinese logic from the foundation.
"Stubborn Lord" speaks, you can't stand up if you don't break it, stand in it with broken words.
Therefore, rhetoric, grammar, three paragraphs, echoes of upper and lower sentences, overall layout of lyrics, and emotional progression are all products of the old world and cannot satisfy the expression of the new era. To write a song full of classical flavor, whether it is ancient style, national style, or Chinese style,
For example, the smash hit "Cool" is the best in this new modernist lyrics collection. Fang Wenshan’s Chinese-style lyrics are written on the camera. If the layout of the text is not clear, it will appear fragmented, often with good sentences and no chapters. "Cool and Cool" is very powerful. It not only looks down on Jiazhang, but also doesn't even look down on good sentences. Just write "good words" one by one.
For example, it means "Yi Zhan Feng Cun", you don't understand what it means at first glance, but the combination of "Yi Zhan" and "Wind" and "cun" is a kind of beauty of wording that is amazing. For another example, "Cool and cool heavens are full of suits, falling into the mortal dust and hurting me", you can't understand at a glance what emotional logic it expresses, but it is just "God's Will", "Lianying", "Fan Chen", and "Injury." "Four old-fashioned words, just like the beats in the wild wolf disco, make you scream.
例如，它的意思是“易展风村”，乍看之下您并不了解它的含义，但是“易展”与“风”和“村”的组合是一种措辞之美，令人叹为观止。再举一个例子，“凉爽的天上到处都是西装，掉进凡尘，伤害了我”，您一眼就无法理解它所表达的情感逻辑，而仅仅是“上帝的旨意”，“联营” ，“范琛”和“伤害”。 “四个老式单词，就像野狼迪斯科舞曲中的节拍一样，使你尖叫。
In addition to this breakthrough in expression logic, the high-end writing style that makes the upper and lower sentences of a song look completely unrelated, and the trendy style that allows each classical vocabulary to give full play to its historical role. These lyric writers also gave new connotations to ancient poems in a specific environment.
For example, Li Yuanjie, who writes a vibrato with a bad music theory, said "white hair" in "Sorrow for Li Ren", which makes people admire his imagination. "Two Tickles" is even more in "Ventality". On the basis of one article, the time and space echoed with Ma Yinglong ointment was reached. You can’t help but scream. I used to think that only Gongdouju can pass through. Now our Chinese style can pass through too!
There are many such masters. For example, Lin Wenxuan, who wrote "Hong Yan" for Hu Yanbin, must have written the words at the beginning, and then wrote "The king puts away the sword, and Fare Ji has gone too far." Another example is "Your smile is like a vicious dog, breaking my heartstrings" in "The Thieves", such a superb metaphor, even if the master of metaphor Zhang Ailing looks ashamed. Comparing "laughter" to "bad dog", and can also confuse the heartstrings, such subjective descriptions have long been a good story in "The Golden Lock" Cao Qiqiao.
So, it's no wonder that the master of Sinicization, Hua Porridge, wants to teach your associate professor in the Chinese Department of Yangzhou University, thinking that Bi Feiyu who won the Mao Dun Literature Award in your department is amazing?
Those of you who write serious novels, still have to learn one more from the traffic words of the Chinese singing circle.
In 2016, a @ programmer Delton made a generator, which is said to be able to write ancient lyrics. When I saw this news, I was ashamed of my ignorance of AI on the one hand, and on the other hand, I couldn't help calling out to teacher Wenshan in my heart.
In 2016, the Chinese word circle was about to be captured by AI and illiterate people, but teacher Fang Wenshan went to Aishang Media and became the chief cultural officer. Prepare to make "The Promise of Dandelion" and "What About Happiness" into web dramas.
Of course, Teacher Fang’s ideals were originally screenwriters and directors. People chasing dreams with a heart, and others are not good at gossiping. But in 2013, "Hearing the Sound of Raining" has passed the addiction, in addition to writing the theme song for online games,
Although I feel that it is a bit difficult for Teacher Fang to dream of returning to the top, it is easy to write something casually to dilute the stench. It’s terrible. I recently discovered that I’ve been overwhelmed by the high-level lyrics of “I’m wuwu when I think of you~ I’m empty hate, don’t dream for a long time~~ burn the paper ashes and bury the willows”.
Beginning with martial arts in Hong Kong, after experiencing the precipitation of a generation of literati in Hong Kong, teacher Fang opened up new branches and explored the use of Chinese classical culture to nourish modern popular lyrics. Step by step, he has come to such a situation in which a hundred flowers bloom and six lines are not separated. It really reminds me of the paragraph Lao Guo said:
"There are more than 1,000 traditional cross talks left by the old gentleman. After all these years of continuous hard work by our actors, now, there are finally more than 400 remaining."
Teacher Fang, do it yourself.