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【亚博最新版在线登录】周杰伦需要方文山,整个华语乐坛更离不开方文山



发布日期:2021-03-25 14:02:01 发布者:未知  点击率:250

Sure enough, QQ Music collapsed as soon as Jay Chou released his new song. Tencent can't hold back the tears of the people.

果然,周杰伦发行新歌后,QQ音乐就崩溃了。腾讯无法忍受人们的眼泪。

When I opened the page for the first time, I eagerly checked the lyrics and the name of the author. When he saw Fang Wenshan, he was finally relieved. The only regret, this is not a Chinese style.

当我第一次打开页面时,我热切地检查了歌词和作者姓名。当他看到方文山时,终于松了一口气。唯一的遗憾,这不是中国风格。

I can't remember when the last Jay Chou song that was able to be sung on a large scale and the heart-stirring Chinese style appeared. In recent years, Fang Wenshan has also been very busy. It's making movies, publishing books, and doing web dramas. Obviously, he had forgotten his important position in the Chinese word circle for a while.

我不记得什么时候出现了最后一部周杰伦的歌曲,这首歌能够大规模演唱并且令人心动的中国风格出现。近年来,方文山也很忙。它正在制作电影,出版书籍和进行网络戏剧。显然,他已经忘记了自己在中文单词圈中的重要地位。

He didn't know that the place was dusty and sick.

他不知道这个地方尘土飞扬,生病了。

I really want to go back and talk about Chinese style writing. In fact, Hong Kong had it as early as the 1980s.

我真的很想回去谈论中国风格的写作。实际上,香港早在1980年代就拥有了它。

That generation of China's wind energy has become a climate, first of all, we must thank a person named Cha Liangyong.

那一代中国的风能已经成为一种气候,首先,我们必须感谢一个叫查良勇的人。

In 1972, Jin Yong published "The Deer and Ding Ji" in the newspaper and immediately sealed the pen. Just the previous year, Run Run Run, who joined TVB, founded the "Wireless Actor Training Class". If you spend money to train a group of actors, there must be some acting.

1972年,金庸在报纸上发表了《鹿鼎记》,并立即封了笔。就在前一年,加入TVB的Run Run Run创立了“无线演员培训班”。如果您花钱训练一群演员,那一定有一些表演。

In 1976, TVB tested the film "Book of Swords and Enmity Records" starring Zheng Shaoqiu. The response was extremely enthusiastic.

1976年,无线电视测试了郑少秋主演的电影《剑与仇》。回应非常热情。

Entering the 1980s, TVB filmed Jin Yong's novels almost once a year, quickly becoming the "Wireless Five Tigers". It can be said that the entire Jin Yong martial arts dramas in the 1980s were arranged by TVB. Among them, there are Huang Rihua's version of 83 "Shooting the Condor", "The Deer and Ding Ji" starring Tony Leung and Andy Lau, "The Couple of Condor Heroes" starring Yang Guo and Andy Lau, and "The Swordsman" starring Chow Yun-fat.

进入1980年代,无线电视几乎每年一次拍摄金庸的小说,很快成为“无线五虎”。可以说,整个1980年代的金庸武术戏都是由无线电视台安排的。其中,黄日华的版本83是《射杀秃鹰》,梁朝伟和刘德华主演的《鹿鼎记》,郭阳和刘德华主演的《秃鹰英雄夫妇》和主演《剑客》。周润发

It was not until 1989 that Tony Leung finished "The Heroine" and moved to movies. The Feng Shui of Jin Yong's drama went to Taiwan.

直到1989年,梁朝伟完成了《女主人公》并上映电影。金庸戏剧的风水去了台湾。

In 1991, the Taiwan version of "Snow Mountain Flying Fox" completely surpassed the original TVB Lu Liangwei version of the limelight. This version is broadcast on the mainland. In 1994, Ma Jingtao's version of "Yi Tian" was published in Taiwan. Zhou Haimei's Zhou Zhiruo and Sun Xing's Yang Xiao have become unshakable classics. Even Jin Daxia joked:

1991年,台湾版的《雪山飞狐》完全超越了最初的TVB陆良伟的风头。此版本在大陆播放。 1994年,马敬陶的《义天》在台湾出版。周海媚的周志若和孙星的杨潇已经成为不可动摇的经典。甚至金大侠开玩笑说:

Three years later, Ren Xianqi, who sang "The Heart Is Too Soft", became popular and took the opportunity to film Jin Yong's drama. Unfortunately, at that time, Louis Koo’s version of "Sculpture of Gods", Huang Rihua’s version of "Dragon Babu" and Chen Xiaochun’s version of "The Deer and Ding Ji" were also published in Hong Kong. As soon as these three plays came out, they literally pressed Ren Xianqi on the ground.

三年后,演唱《心灵太柔和》的任贤齐开始流行,并借此机会拍摄了金庸的戏剧。不幸的是,当时,古天乐的《神的雕塑》,黄日华的《龙八部》和陈晓春的《鹿与丁记》都在香港出版。这三部戏一出,就立即将任宪祺逼到了地上。

It is in these ten years that a large number of martial arts drama theme songs have emerged.

正是在这十年中,出现了许多武术戏剧主题曲。

The inevitable martial arts vocabulary such as the sons and daughters of the rivers and lakes and the grievances of Hong Chen constituted the first batch of Chinese style flesh and blood. And those who write the lyrics for these theme songs are basically people with a lot of background. For example, the song "Iron Blood and Heart" that is most familiar to mainland audiences, is the author of Deng Weixiong, who wrote "Thousands of Waters and Thousand Mountains are Always Love".

不可避免的武术词汇,如江湖之女,洪辰的委屈,构成了第一批中国式的血肉之躯。那些为这些主题歌写歌词的人基本上是有很多背景的人。例如,大陆观众最熟悉的歌曲《铁血与心》是邓伟雄的创作者,他写了《千水千山万古情》。

Deng is the mainstay of TVB screenwriters and is known to write hundreds of plays a year. Due to professional needs, I read all the martial arts novels in the country at that time. He is a Bachelor of Social Science from the Chinese University of Hong Kong, a Master of Arts, a Doctor of Philosophy from the University of Hong Kong, and the son-in-law of Jao Tsung-i, a master of Chinese studies. Visible profound background. It’s no wonder that with a stroke of the pen, it means, "I vaguely dreamed like I have seen it before, but my heart is upset, leaving the world aside and sorrowing, and being with me to the horizon."

邓是无线电视编剧的中流and柱,众所周知,他每年写数百部戏剧。由于专业需亚博最新版在线登录要,我当时阅读了该国所有的武术小说。他拥有香港中文大学的社会科学学士学位,文学硕士学位,香港大学的哲学博士学位以及中国研究硕士饶宗宜的the妇。可见深刻的背景。难怪用笔轻描淡写就意味着:“我梦v以求,就像我以前见过的一样,但我的心却沮丧,把世界抛在一边,悲伤,与我同在。”

Deng Weixiong also filled in a poem, which was the theme song of Chow Yun-fat's "Swordsman". The singers of this song are Ye Liyi and Ye Zhentang. Of these two people, one sang "Shanghai Beach" and the other sang "The Great Wall Never Fall". The writer of "Wan Li" is named Lu Guozhan.

邓伟雄还写了一首诗,这是周润发《笑傲江湖》的主题曲。这首歌的歌手是叶丽怡和叶振堂。在这两个人中,一个人唱着“上海海滩”,另一个人唱着“长城永不倒塌”。 《万里》的作家叫卢国战。

As the initiator of the "Non-Love Song Movement" in the Hong Kong music scene, he wrote the familiar song "Little Li Fei Dao". At that time, "Xiao Li Fei Dao" won the top rankings for 15 weeks, and it was so popular that even Rowan was stunned.

作为香港音乐界“非爱情歌曲运动”的发起人,他写了熟悉的歌曲“小李飞刀”。当时,《小李飞刀》获得了15周的最高排名,而且非常受欢迎,甚至连罗文都惊呆了。

As for Taiwan, it had to rely on Hong Kong to assist in the beginning.

至于台湾,它首先必须依靠香港来提供帮助。

The theme song "Love in the Snow" of "Flying Fox in Snow Mountain" is also Lu Guozhan's handwriting. "Dream Chaser" sung by Feng Feifei was written by Luo Dayou, but it is not Chinese style. It wasn't until 1994 that a man named Chen Huanchang appeared, and he saved Taiwan's martial arts music. It's just that in Rolling Stone, everyone calls him Xiao Chong.

“雪山飞狐”的主题曲“雪中情”也是卢国战的笔迹。冯飞飞演唱的《追梦人》是罗大有创作的,但不是中国风格。直到1994年,一个名叫陈焕昌的男人出现了,他救了台湾的武术音乐。只是在《滚石》中,每个人都叫他小冲。

In the 1990s, the song "Love the Country and the Beauty," which will inevitably appear in major local song stations in the 1990s, is the song composed by Xiao Chong. This is one of the opening songs of Ma Jingtao's version of "Yi Tian". There are also two songs, one "The Sword Is Like a Dream" and the other "Let's Stay in Peace". The mandarin version of the former was written by Zhou Huajian, and the author of the latter was Yao Ruolong.

在1990年代,肖崇创作的歌曲《爱乡村与美丽》将不可避免地出现在1990年代的主要本地歌曲台中。这是马景涛版本的《艺天》的开场曲之一。还有两首歌,一首是《剑如梦》,另一首是《让我们保持和平》。前者的普通话是由周华坚撰写的,后者的作者是姚若龙。

Yao's main battlefield is a love song, a song "The Most Romantic Thing", enough to go down in history. Unexpectedly, when he wrote about martial arts, he was so heroic, and with a stroke of writing, "I will swallow the wine to dry the bowl, and smile up to the sky with tears."

姚明的主要战场是一首情歌,一首“最浪漫的事”,足以载入历史。出乎意料的是,当他写有关武术的文章时,他是如此英勇,并以笔触来书写:“我会吞下酒来擦干碗,并含泪向天空微笑。”

In contrast, Xiao Chong’s words are much more modern. After receiving Ren Xianqi's popularity, he wrote "Ren Xiaoyao" for "The Sculpture", which he starred in. It was obviously not as good as the "Flower Too Fragrant" that he wrote when he went to Beijing to explore. The phrase "Come on, come on, a cup of bitter wine, no one should stop it", finally caught up with half of Yao's skill.

相比之下,小冲的话要现代得多。受到任贤启的青睐后,他出演了《任小瑶》,并出演了《雕塑》。这显然不如他去北京探险时写的《花香》。 “来吧,来吧,喝一杯苦酒,没有人可以阻止它”这个词,最终使姚明的技能提高了一半。

However, putting all these people in a bag is probably worth a yellow touch.

但是,将所有这些人放进书包可能值得一试。

Huang Zhan was originally called Huang Zhansen. It is said that he changed his name to Huang Zhan because he was afraid of losing in a singing competition. The singer didn't make it. He made some soundtracks for Shaw Brothers. After meeting Gu Jiahui, he almost gave up on the soundtrack and was willing to write for him. Huang Zhan is crazy, but he has always been very humble when he meets people who admire him.

黄湛原名黄湛森。据说他因为怕在歌唱比赛中输球而更名为黄湛。歌手没有做到。他为邵氏兄弟做了一些配乐。与顾家辉见面后,他几乎放弃了配乐,并愿意为他写歌。黄展是个疯子,但是遇到见到他的人时,他总是很谦虚。

After reading Jin Yong's martial arts and Ni Kuang's fantasies, he stopped writing novels and went to write pornographic stories.

在读了金庸的武术和倪匡的幻想之后,他停止写小说,去写色情故事。

It is also Gu Jiahui that can make Huang Zhan admire too much. In his early years, he was playing piano in a nightclub. He was accidentally heard by the principal of Berkeley in the United States and directly awarded a scholarship. After being funded by Run Run and returning to Hong Kong, Gu Jiahui took up the banner of TVB's theme song. Countless classic tracks are his handwriting. It happened that Huang Zhan was tired of writing advertisements, and the two hit it off and formed a "Hui Huang" partner.

也是辜家辉会让黄湛佩服太多。早年,他在一家夜总会里弹钢琴。他是美国伯克利校长不小心听到的,直接获得了奖学金。顾家辉获得“ Run Run”资助并返回香港后,登上了TVB主题曲的旗帜。他的笔迹数不胜数。碰巧的是,黄湛厌倦了写广告,两人一见如故,结成了“辉煌”的伙伴。

In 1982, Huang Rihua played Xu Zhu's version of "The Eight Dragons of Heaven", the theme songs "Two Forgotten Smokes in the Water" and "Thousands of Waters and Thousand Mountains" were arranged by the two. Huang's ease of writing about the chivalrous and tender feelings has already revealed its edge. In the second year of "Shooting the Eagles", he handed over two more familiar songs to mainland audiences, "Life is Meaningful" and "The World Is Always Hello". The arrogance and sentiment in "The World" are long and vivid.

1982年,黄日华演奏了徐祝的版本的《天龙八部》,主题曲是两首《水中被遗忘的烟》和《千水千山》。 Huang对侠义和温柔之情的轻松写作已经显示出它的优势。在《射杀老鹰》的第二年,他把两首熟悉的歌曲交给了大陆听众,《生命是有意义的》和《世界永远是你好》。 《世界》的傲慢与感悟是长期而生动的。

Under the radiance of Gu Jiahui's Chinese style, the Chinese poetry of the martial arts era finally radiated long-lasting vitality in Huang Zhan's hands. On the one hand, he benefits from his erudition and on the one hand, he benefits from his personality.

在顾家辉的中国风格的照耀下,武术时代的中国诗歌终于在黄展手中散发出长久的生命力。一方面,他从博学中受益,另一方面,他从他的个性中受益。

Huang Zhan has been a man who is both righteous and evil, obsessed and scumbag all his life. He has too many jokes in his life, such as kissing Leslie Cheung and molesting Lin Qingxia, going to Chua Lam's house in the middle of the night to take a bath, and writing pornographic novels for Zhou Xingchi's mother Ling Baoer to see. When he was in middle school, his younger brother was bullied by Bruce Lee. He ran to avenge him. After being cleaned up by Bruce Lee, he actually asked a group of people to go to the toilet to pick up Bruce Lee's pants. He was planning to spread the secrets in Li's crotch and was almost beaten. It is also a strange fate. Bruce Lee's eldest brother Li Zhongchen, and his ex-wife named Lin Yanni, has been entangled with him for half a lifetime. Huang Zhan was a scumbag for her.

黄湛是一个既正义又邪恶的人,终生痴迷。他一生中有很多笑话,例如亲吻张国荣和Lin亵林庆霞,半夜去蔡澜的屋子洗澡,还写了色情小说供周星驰的母亲凌宝儿看。当他上初中时,他的弟弟被李小龙欺负。他跑去报仇。在被李小龙打扫干净后,他实际上要求一群人去洗手间捡起李小龙的裤子。他打算在李的裤c中传播秘密,差点被殴打。这也是一个奇怪的命运。李小龙(Bruce Lee)的长兄李中辰(Li Zhongchen)和前妻林燕妮(Lin Yanni)与他纠缠了半生。黄湛对她很卑鄙。

Huang Zhan’s social circle is filled with people like Jin Yong and Cai Lan, all of whom have a solid foundation. Ni Kuang, who is also known as a gifted scholar with him, wrote "Jing Wu Men" to Bruce Lee and "One Armed Sword" to Zhang Che. Although they are famous as Xiangjiang, they were influenced by traditional culture in the early years. The line of martial arts was carried forward to them, and did not deviate from Chen Pingyuan’s words:

黄展的社交圈里充斥着像金勇和蔡澜这样的人,他们都有扎实的基础。倪匡也被称为天才学者,他给李小龙写了《精武门》,给张Che写了《一剑》。尽管它们以湘江而闻名,但它们在早期受到传统文化的影响。武术路线一直延续到他们身上,并没有偏离陈平原的话:

Huang Zhan's ability to write the lyrics so chivalrously is fundamentally inseparable from the taste of this literati. Later, he wrote this way of Chinese style to the extreme, mainly because Xu Hark forced it.

从根本上说,黄湛的写作能力如此侠义,离不开文人的品味。后来,他将这种中国风格的方式发挥到了极致,主要是因为徐克强行采用了这种方式。

Tsui Hark was a director in his early years and had a strong desire for control. The filming of "Swordsman" made Hu Jinquan go away, and the filming of "Huang Feihong" made Liu Jialiang go away. I asked Huang Zhan to write the episode and wrote 6 drafts before and after. Huang Zhan couldn't help but ran to look through the "Le Zhi" and saw the words "Great Music Must Be Easy". He played the five tones upside down and wrote "A Laugh from the Cang Hai". Afterwards, the theme song of "Huang Feihong" forced him to look everywhere for the ancient scores of "General Order", shortening the long song of hundreds of sections to dozens of sections, and then wrote "A Man Should Be Self-improvement".

徐克早年担任董事,对控制的强烈渴望。 《剑客》的拍摄使胡金泉走了,《黄飞鸿》的拍摄使刘家梁走了。我请黄湛写这集,前后写了六篇草稿。黄展忍不住跑过去翻阅“乐志”,看到“伟大的音乐一定要容易”。他颠倒地弹了五个音,并写了《沧海的笑声》。后来,“黄飞鸿”的主题曲迫使他四处寻找古代的“总谱”,将数百节的长歌缩短为几十节,然后写了“一个人应该自我完善”。 。

It was these two songs that confirmed Huang Zhan's status as a master. Huang himself also said:

正是这两首歌证实了黄湛作为大师的地位。黄本人还说:

Outside of Huang Laoxie, it is difficult to find the second one who writes words for martial arts on such a large scale and high quality.

在黄老邪之外,很难找到第二个如此大规模,高质量的武术文字作家。

Luo Dayou and Li Zongsheng are both masters in the ci world, but they are not good at this. When Li Zongsheng finished writing the song "Laughing in the Red Dust", he couldn't hold back the words, or Li Manting, who wrote "Hua Xin", sat in a cafe for two hours before writing this classic, and then gave Ma Jingtao's version of "Yitian" "I wrote the song "Two Forget About Each Other."

罗大有和李宗胜都是词坛的高手,但他们并不擅长此事。李宗胜写完《红尘中的笑》这首歌后,他忍住不了这句话,或者写《华欣》的李曼婷在咖啡馆里坐了两个小时才写出这首经典歌曲,然后马敬涛的版本“一天”“我写了两首歌”。

In 1987, a young man touched Huang Zhan's edge. At that time, TVB remakes "Book and Sword Enmity Record", and the theme song actually asked four people to write lyrics together. Among the four, one is Huang Zhan, one is Zheng Guojiang who writes "The Wind Continues Blowing", the other is Pan Weiyuan who writes "The Flower Protector", and the other is Lin Xi, who has just started his career.

1987年,一个年轻人碰触了黄湛的边缘。当时,无线电视翻拍了《书与剑的敌对记录》,主题歌实际上叫四个人一起写歌词。在这四位中,一位是黄湛,一位是郑国江,他写《风在吹》,另一位是潘伟远,他写了《花卉保护者》,另一位是刚刚开始事业的林熙。

Lin Xi wrote martial arts theme songs in his early years, and there are only three most famous ones. A Cantonese version of "Yitian" for Taiwan, "The Sword Like a Dream", but unfortunately not widely spread. The two pieces were written by Gu Tianle's "Sculpture of Gods", called "Myth and Love". When they were introduced to the mainland, they were replaced by Xiaoke's "Returning", and they did not spread too widely. The most well-known is Huang Rihua's version of "The Eight Parts of the Dragon", "The Difficult Sutra", sang Huajian Zhou's tongue.

林熙早年创作了武术主题曲,其中只有三首最为著名。粤语“一天”的粤语版本“剑如梦”,但不幸的是没有广泛传播。这两部作品是由顾天乐的《神的雕塑》(神话和爱情)写的。当它们被引入大陆时,它们被小柯的“归来”所取代,并且并没有广泛传播。最著名的是黄日华的《龙八部》,《艰难的佛经》,唱过华健周的舌头。

Lin Xi said that she hated writing lyrics in classical Chinese in her life. Fortunately, she was a Buddhist, and she wrote the manuscript on the plane when she saw that she was writing the profound meaning of Buddhism. After finishing writing, he was still very scared, for fear that Huang Zhan's "Thousands of Waters and Thousand Mountains" would not be continued. In my opinion, this is simply one of the few words in the martial arts music library that can compare with Huang Zhan. But here is the end. Later, writing the mainland version of "Forgiveness" is completely work.

林曦说,她一生中不喜欢用古典中文写歌词。幸运的是,她是一名佛教徒,当她看到自己在写佛教的深刻含义时,便在飞机上写了手稿。写完之后,他仍然很害怕,因为担心黄湛的《千水千山》不会继续。我认为,这只是武术音乐库中可与黄湛比较的几个词之一。但这就是结局。后来,写大陆版的《原谅》完全可以了。

Where is Huang Zhan's position, Lin Xi said earlier:

林Xi较早前说:

Want to climb the Chinese style in the martial arts grid, no one can write the height of Huang Zhan.

想要在武术格中攀登中国风,没人能写出黄湛的身高。

As soon as the Tang Dynasty fell, the poem came to an end, and the people of Song Dynasty could not write about the great sky. The only way is to change the case and start a new stove. From this point of view, fortunately, Li Qingzhao and Li Yu, who were obsessed with Fang Wenshan in middle school, would hardly have the R&B Chinese style that surged since 2003.

唐朝一旦倒下,这首诗就结束了,宋朝的人们无法写出那片伟大的天空。唯一的方法是更改​​外壳并启动新炉子。从这个角度来看,幸运的是,在中学时痴迷于方文山的李清照和李瑜几乎没有R&B中国风格(自2003年起)。

In fact, Fang Wenshan didn't think so much when he first wrote it. It was purely playing with Jay Chou. In this matter, they must first thank a person named Yang Junrong.

实际上,方文山第一次写的时候并没有那么想。纯粹是和周杰伦一起玩。在这件事上,他们必须首先感谢一个叫杨俊荣的人。

At the time he participated in "Super New King", in order to attract Wu Zongxian's attention, Jay Chou wrote a "Cookbook Song". Wu Zongxian recruited him, but he was busy making money and didn't care much about Alfa's affairs. Had it not been for Yang Junrong to discover the "Lovely Woman" written by Jay Chou, Jay Chou's floor shop would not know when he would go to bed. It is said that Yang Junrong called Wu Zongxian the next day and said that you handed this young man to me, and I promise him to be popular.

周杰伦参加《超级新王》时,为了吸引吴宗宪的注意,周杰伦写了一首《菜谱之歌》。吴宗宪招募了他,但他忙于赚钱,并不在乎阿尔法的事务。如果不是杨俊荣发现周杰伦写的“可爱的女人”,周杰伦的地板店就不知道他什么时候上床睡觉。据说第二天杨俊荣给吴宗宪打了个电话,说你把这个年轻人交给了我,我保证他会受欢迎。

That is to say, in the eyes of Yang Junrong, Jay Chou got a large enough creative space and sent 100 works to Fang Wenshan of the record company, which also received enough respect.

也就是说,在杨俊荣的眼中,周杰伦获得了足够大的创作空间,并向唱片公司的方文山送去了100幅作品,这也得到了足够的尊重。

In his early years, Fang Wenshan didn't want to be a lyricist, he wanted to be a screenwriter. While working part-time, I went to a screenwriting training class. As a result, there is no way to get into the business, so I save the country and write lyrics first. However, none of his thick piles of poems can be appreciated by Jay Chou. Judging by his talent at the time, it was indeed not very high.

早年,方文山不想当一名作词人,他想当一名编剧。在兼职工作期间,我参加了编剧培训班。结果,无法进入这个行业,所以我拯救了国家并首先写了歌词。然而,周杰伦并没有欣赏他那堆浓浓的诗。从当时的才华来看,这确实不是很高。

He is not as good as Luo Dayou when it comes to writing about worldly insights and the depth of society, and he is not as good as Li Zongsheng when it comes to writing about life’s deep insights. Lin Xi is already at the top of the overall arrangement of capturing the delicate mood and writing words. Fang Wenshan is not good at creating works based on life experience to make listeners have strong realistic emotional resonance.

在撰写有关世俗见解和社会深度的著作时,他不如罗大有;在撰写有关人生的深刻见解的著作中,他不如李宗生。林熙已经是捕捉微妙的心情和写单词的整体安排中的佼佼者。方文山不擅长根据生活经验创作作品,使听众产生强烈的现实情感共鸣。

Fortunately, he knows his longboard, which is to create a sense of picture. Every time you write a work, you first collect a bunch of relevant information, and then switch the scenes to write it like a movie script. He just took this path and wandered out of the original montage style. This is why, also never been to Shanghai, Huang Zhan wrote the energetic "Shanghai Beach", and Fang Wenshan wrote "Shanghai 1943" with one sentence and one painting.

幸运的是,他知道自己的退潮,这是为了营造一种画面感。每次编写作品时,首先要收集一堆相关信息,然后切换场景以像电影脚本一样编写它。他只是走这条路,走出了原始的蒙太奇风格。这就是为什么黄湛也从未去过上海,他写了一幅充满活力的“上海海滩”,而方文山则用一句话一幅画写了“上海1943”。

Unexpectedly, leaving aside the emotional depth, it opens up the breadth of poetry. Ninjas, castles, bullfighting, turtledoves, and nunchakus can all be integrated into Jay Chou's singing.

出乎意料的是,撇开情感的深度,它开启了诗歌的广度。忍者,城堡,斗牛,斑鸠和双节棍都可以融入周杰伦的演唱中。

When working on the first album "JAY", after listening to a piece of Jay Chou, Fang Wenshan wanted to try the classical style. So I wrote two editions, one Chinese-inspired "Lady" and one love song. Fang Wenshan thought that Jay Chou would choose a love song, but the other party chose Chinese style. In 2001, Fang Wenshan was nominated for the Golden Melody Award for Best Lyricist for "The Lady". The two immediately decided to continue this style.

方文山制作首张专辑“ JAY”时,听了周杰伦的歌后想尝试古典风格。所以我写了两个版本,一本是中国风格的《女士》,一本是情歌。方文山以为周杰伦会选择一首情歌,而另一方则选择中国风格。 2001年,方文山因《淑女》获得金曲奖最佳作词人提名。两人立即决定继续这种风格。

In 2003, "East Wind Broken" was broadcast all over the streets. It just so happened that it was the day when singers and composers emerged one after another. If there weren't one or two Chinese styles among the people who released the album at that time, I would be embarrassed to call themselves a singer-songwriter. And those who walk the rivers and lakes as a lyricist, and haven't filled in one or two songs that are related to the Chinese style, are not too embarrassed to mix in this business. The so-called Chinese style in the Chinese music scene suddenly became the climate.

2003年,《东风破》在街头流传。碰巧的是,那天歌手和作曲家接连出现。如果那时发行专辑的人中没有一两个中国风格,我会很尴尬地称自己是歌手兼作词人。那些以抒情诗人在江湖中漫步而又没有写一两首与中国风格有关的歌曲的人,也不会太尴尬地混在一起从事这项事业。在中国音乐界所谓的中国风突然变成了气候。

Although many lyricists do not mark the ancient time and space as clearly as Fang Wenshan wrote "Fa Ruxue" and "Chrysanthemum Terrace", and borrow the meaning of poetry so cleverly, they still have to work hard.

尽管许多作词人没有像方文山所写的《发如学》和《菊花台》那样清晰地标明古代的时空,他们巧妙地借用了诗歌的含义,但他们仍需努力。

For example, Lin Qiuli, who wrote "Listening to the Sea" for Zhang Huimei, already has two brushes for writing hurt love songs. Still ran to write a song "Jiangnan" for Lin Junjie. After listening to the "Darkening" he wrote to Adu, I couldn't think that he would later write the sentence "Cao Cao" in "Cao Cao", "Cao Cao is not long-winded, he wants to take Jingzhou." As Zhang Huimei’s agent, Chen Zhenchuan, who followed Fang Wenshan’s path, wrote "Hua Tian Wrong" to Wang Leehom and "Pirate" and "Dancer" to Tsai Jolin, almost made me think he was Fang Wenshan carrying Jay Chou on his back. number.

例如,为张惠妹写《听海》的林秋莉,已经有两把毛笔用来写伤人的情歌。仍奔波为林俊杰写歌《江南》。在听完他写给阿杜的“黑暗”之后,我想不起来他以后会在“曹操”中写下“曹操”一句,“曹操不长风,他想带荆州。”作为张惠美的经纪人,跟随方文山走的陈振川,给王力宏写了《华天错》,给蔡依林写了《海盗》和《舞者》,几乎让我觉得他是背着周杰伦的方文山。数。

Of course, the climate can be formed, but Fang Wenshan's words are not shocking.

当然可以形成气候,但方文山的话并不令人震惊。

After his personal style was established, it directly influenced the record market. When Zhou Huajian wrote songs in his early years, an important indicator given by the company was to be suitable for karaoke singing. Because as long as karaoke becomes popular, the song will become a hit. Unexpectedly, Jay Chou was born, directly changing the direction of the wind. The entire Chinese music scene has begun to R&B and Chinese style. The original martial arts singer Zhou Huajian didn't know how to write songs anymore.

他的个人风格确立后,就直接影响了唱片市场。周华建早年写歌时,公司给出的一项重要指标就是适合卡拉OK唱歌。因为只要卡拉OK流行起来,这首歌就会很流行。没想到,周杰伦出生了,直接改变了风的方向。整个中国音乐界已开始具有节奏感和中国风格。最初的武术歌手周华健已经不知道该怎么写歌了。

In those days, Li Zhuoxiong, who wrote "The Fruits of Midsummer", ran to write "Susan Talk" for Tao Zhe, and Yi Jiayang, who wrote "Single Love Song", ran to write "Mulan Star" for Zhang Liangying. Amateur Lin Wenxuan wrote "Farewell Poems" and "Hong Yan" to Hu Yanbin, Tank himself made "Millennium Tears" and "Three Kingdoms".

那时,写《仲夏的果实》的李卓雄跑去为陶Z写《苏珊的谈话》,写《单曲情歌》的易家阳跑来为张良英写《花木兰》。业余林文轩给胡彦斌写了《送别诗》和《红颜》,坦克大夫亲自作了《千年眼泪》和《三国演义》。

Everyone catch up with me and work together to enrich the Chinese style music library.

大家赶上我,共同努力,丰富中国音乐库。

For a time, it is really good wind and strength, R&B is on the horizon.

一时间,这真的是很好的风和力量,R&B即将出现。

However, soon things changed.

但是,很快情况发生了变化。

In 2006, "Still Fantasy" hadn't been released yet, and a new album called "Earth Beauty" suddenly appeared on the market. The works in the album are fake works under the name Jay Chou. One of them is called "The Funeral of Roses", which has attracted special attention. Just the previous year, a song called "The Bridge Section" on the Internet was also circulated as a new work by Jay Chou. In fact, the author of the two songs, one is Xu Song, the other is the second string.

在2006年,《 Still Fantasy》还没有发行,新专辑《 Earth Beauty》突然出现在市场上。专辑中的作品是周杰伦(Jay Chou)的假货。其中之一被称为“玫瑰葬礼”,引起了特别关注。就在前一年,周杰伦(Jay Chou)还在互联网上发行了一首名为“ The Bridge Section”的歌曲。实际上,这两首歌的作者,一首是徐松,另一首是第二首。

When he was still studying at Guangxi University, Deng Wenbin began to play music. He formed a short-circuit band and won the title of Top Ten Singers in his alma mater for three consecutive years. At that time, there was a "Pioneer Chart of Creative Songs" in Guangxi. In 2000, Deng's debut work "Grey Rose" won the championship for five consecutive weeks, and has since embarked on the path of originality.

邓文彬在广西大学读书时就开始演奏音乐。他组建了一支短路乐队,并连续三年获得母校的十佳歌手称号。当时,广西有一张“创意歌曲先锋图”。 2000年,邓小平的处女作《灰玫瑰》(Grey Rose)连续五周获得冠军,此后便走上了独具匠心的道路。

After graduation, he went to an advertising company to study planning and got in-depth exposure to some music production. In those two years, under the influence of Jay Chou, he began to write Chinese style and gradually published songs on the Internet. Early in the morning, he wanted to call himself "Ghost Axe", but his friend said it was too confusing. Deng took the name Hou Xian, which means "post-modern string tone".

毕业后,他去一家广告公司学习计划,并深入接触了一些音乐作品。在这两年中,在周杰伦(Jay Chou)的影响下,他开始创作中国风格并逐渐在互联网上发行歌曲。清晨,他想称自己为“幽灵斧头”,但他的朋友说这太令人困惑了。邓的名字叫侯县,意思是“后现代弦乐”。

When Hou Xian began to post songs on the Internet, Xu Song was admitted to Anhui Medical University. After joining the club, he began to compose and write lyrics. In 2006, Xu Song used Vae as the screen name to release the single "Park Seven". The release location is the famous decibel network. Xu Song did not expect that this website would change his life.

侯县开始在互联网上发布歌曲时,徐嵩被安徽医科大学录取。加入俱乐部后,他开始作词和写歌词。 2006年,徐松以Vae作为网名,发行了单曲“ Park Seven”。发行地点是著名的分贝网络。徐松没想到这个网站会改变他的生活。

The decibel network of the year can be regarded as a prince. After CEO Zheng Li met the singer "Xiang Xiang" online, he spent 2,000 yuan to set up this music community. Xiangxiang became the first "online contracted singer" in the country.

一年的分贝网络可以看作是王子。首席执行官郑莉在网上认识歌手“湘乡”后,就花了2,000元建立了这个音乐社区。湘乡成为全国第一位“网络签约歌手”。

In 2004, "Mouse Loves Rice" debuted in decibels, which directly caused the popularity of the website to explode. Song uploads accounted for three-quarters of online music. In 2006, the decibel became the only platform for the collection of Super Girl original music.

2004年,“老鼠爱赖斯”以分贝的形式首次亮相,直接导致了网站的爆炸式增长。歌曲上传占在线音乐的四分之三。 2006年,分贝成为了收集Super Girl原创音乐的唯一平台。

"The Funeral of Roses" was actually not written by Xu Song, he only participated in the arrangement and sang. The original Li Yijie is an iron fan of Jay Chou, so the style is very similar. After "Mei" attracted attention, Xu Song soon ushered in a fate similar to that of Hou Xian, but he was slightly lucky.

“玫瑰的葬礼”实际上不是徐松写的,他只是参加了编曲和演唱。原来的李义杰是周杰伦的铁杆粉丝,所以风格很相似。在《梅》引起人们的注意之后,徐松很快迎来了与侯贤类似的命运,但他有点幸运。

As soon as "Liao Duan" became popular, You Culture Company immediately signed the second string. In 2005, as a newcomer, he sold 200,000 copies of his "Gu Wan". Immediately afterwards, the song "West Chamber" was a hit on the Internet, and "Kunming Lake" was also regarded as a boost to the Chinese style. Unfortunately, it didn't take long for the company to find that it was too extravagant to support him in doing Chinese style. No matter how it was done, it would not have the popularity of Taiwanese singers and composers. It would be better to sell divine songs. So he kept on letting him export the water song, almost reducing him to a non-mainstream level.

“辽段”一经流行,悠文化公司即刻签下第二串。 2005年,作为新来者,他卖出了20万本《古玩》。紧随其后的是,歌曲《西厢记》在互联网上风靡一时,而《昆明湖》也被认为是中国风格的发扬光大。不幸的是,不久之后公司就发现太过奢侈以至于无法支持他从事中国风格的创作。无论如何完成,它都不会受到台湾歌手和作曲家的欢迎。出售神圣的歌曲会更好。因此,他继续让他出口水歌,几乎将他减少到非主流水平。

After decibels discovered Xu Song, he was also thinking about money. After Decibel signed him, let him go to Beijing to perform for Lenovo's event platform. Xu Song spent a few days and nights writing songs, and finally went to Beijing and lived in a bad hotel. Finally, Lenovo changed the hotel. After that, Decibel engaged in an online singer selection competition, and he had to participate in it and borrowed his popularity to earn money for text canvassing. So angry Xu Song wrote in his blog:

分贝发现徐嵩之后,他也在考虑钱。 Decibel签下他后,让他去北京为联想的活动平台表演。徐嵩花了几天和晚上写歌,最后去了北京,住在一个糟糕的旅馆里。最后,联想改变了酒店。此后,Decibel参加了在线歌手选拔比赛,他不得不参加比赛,并借用他的知名度来赚钱进行文字拉票。如此愤怒的徐嵩在博客中写道:

Fortunately, in 2009, the CEO of Decibel, Zheng Li, was sentenced to 6 years for organizing a large-scale obscene performance. Xu Song turned to sign a record company, and went more and more stable. He wrote "Old Enemy" and "Demolition of the East Wall", and co-authored the first "Mulan" with Fang Wenshan. At that time, there was no sound of the backstring on the rivers and lakes.

幸运的是,2009年,Decibel的首席执行官郑立因组织一次大型淫秽表演而被判处6年徒刑。徐松转向签约唱片公司,并变得越来越稳定。他写过《老敌人》和《拆毁东墙》,并与方文山合着了第一部《花木兰》。那时,江湖上没有任何回声。

Whether it is Wang Leehom and Lin Junjie who have extended the creative dimension, or the Tank and Backstring who became popular and then silenced, in Jay Chou's peak ten years, the Chinese style of the new era has really attracted all kinds of heroes to compete for beauty. Fang Wenshan's beautiful pen, although it is not like Huang Zhan to open up the master atmosphere, at least let the classical poetry infect the audience and enhance the beauty of the Chinese lyrics.

不论是王力宏和林俊杰都扩大了创作范围,还是坦克和后弦乐队变得流行之后又被沉默了,在周杰伦十年的巅峰时期,新时代的中国风确实吸引了各种各样的英雄参与竞争。为了美丽。方文山的优美笔,虽然不像黄展那样开放主人的气息,但至少让古典诗歌感染了听众,增强了中文歌词的美感。

Lyricists like Huang Zhan and Deng Weixiong are deeply infiltrated by traditional Chinese culture, have a foundation of old learning, and come from the age of immigrants from Hong Kong, with the roots of family and country in their minds. Therefore, the Chinese style of martial arts of that generation does not simply talk about martial arts. Huang Zhan's various sentiments in the martial arts theme song are not inferior to the famous song "Below the Lion Mountain". It is very normal for future generations to be difficult to surpass.

像黄湛和邓伟雄这样的抒情诗者深受中国传统文化的熏陶,具有古老的学习基础,并且来自香港移民的时代,他们的思想根植于家庭和国家。因此,那一代中国人的武术并不仅仅是谈论武术。黄湛在武术主题曲中的各种感悟并不逊于著名的歌曲《狮子山下》。后代很难超越是很正常的。

And Fang Wenshan took a different approach, weaving stories through classical imagery, this set of writing basically reached his point. Hearing what he later wrote about "Drunk Red Cliff" and "A Bridge of Fate" is obviously not as complete as "A Thousand Miles Away" and "Chrysanthemum Terrace" in the early years. Due to the repetition of classical imagery and the similarity of grammar, some lyrics always sound familiar. It's hard for him to get to the next level.

方文山则采取了不同的方法,通过经典意象编织故事,这组著作基本上达到了他的观点。听到他后来写的关于“醉酒红崖”和“命运之桥”的文章显然不如早年的《千里走》和《菊花台》完整。由于古典意象的重复和语法的相似性,有些歌词总是听起来很熟悉。他很难再上一个台阶。

I originally thought that since even the patriarch Fang Wenshan could not recreate the magic in this Chinese style, and the same lyricists who used ancient poems, they could probably clean up and sleep.

我原本以为,即使连族长方文山也无法用这种中国风格再现魔术,而使用古诗词的抒情诗人一样,他们也有可能清理和入睡。

Facts have proved that I really underestimated the ambitions of creators.

事实证明,我确实低估了创作者的野心。

I don’t know when it started, probably because of the multifaceted bombardment of Gongdou Opera, Internet Antiquity, and Xianxia Fantasy Games, one after another, songs full of classical flavors came out.

我不知道它什么时候开始的,可能是由于对龚斗戏,互联网古风和仙霞幻想游戏的多方面轰炸,一首又一首充满古典气息的歌曲问世了。

The authors of these words obviously saw that Teacher Fang Wenshan had a low degree, and Xu Song was only a medical student. Since they can use classical poetry into their songs to become popular, they are not bad. No, they are not bad. If Fang Wenshan's image collage is post-modern, then they will have to do post-post-modern, post-post-modern, and destroy Chinese logic from the foundation.

这些话的作者显然看到方文山老师的学历很低,而徐松只是一名医学生。由于他们可以将古典诗歌融入他们的歌曲中而广受欢迎,所以他们也不错。不,他们还不错。如果方文山的形象拼贴是后现代的,那么他们将不得不做后现代,后后现代,并从基础上摧毁中国逻辑。

"Stubborn Lord" speaks, you can't stand up if you don't break it, stand in it with broken words.

“固执的上帝”说话,如果你不打破它,就站不起来,用破碎的话站在那里。

Therefore, rhetoric, grammar, three paragraphs, echoes of upper and lower sentences, overall layout of lyrics, and emotional progression are all products of the old world and cannot satisfy the expression of the new era. To write a song full of classical flavor, whether it is ancient style, national style, or Chinese style,

因此,修辞,语法,三段,上下句的呼应,歌词的整体布局以及情感的进步都是旧世界的产物,不能满足新时代的表达。写一首充满古典气息的歌曲,无论是古代风格,民族风格还是中国风格,

For example, the smash hit "Cool" is the best in this new modernist lyrics collection. Fang Wenshan’s Chinese-style lyrics are written on the camera. If the layout of the text is not clear, it will appear fragmented, often with good sentences and no chapters. "Cool and Cool" is very powerful. It not only looks down on Jiazhang, but also doesn't even look down on good sentences. Just write "good words" one by one.

例如,红极一时的“酷”是这个新的现代派歌词集中最好的。方文山的中文歌词写在相机上。如果文本的布局不清楚,它将显得零散,通常带有漂亮的句子,没有章节。 “酷酷”功能非常强大。它不仅看不起加丈,而且甚至不看不起好的句子。只需一一写下“好话”。

For example, it means "Yi Zhan Feng Cun", you don't understand what it means at first glance, but the combination of "Yi Zhan" and "Wind" and "cun" is a kind of beauty of wording that is amazing. For another example, "Cool and cool heavens are full of suits, falling into the mortal dust and hurting me", you can't understand at a glance what emotional logic it expresses, but it is just "God's Will", "Lianying", "Fan Chen", and "Injury." "Four old-fashioned words, just like the beats in the wild wolf disco, make you scream.

例如,它的意思是“易展风村”,乍看之下您并不了解它的含义,但是“易展”与“风”和“村”的组合是一种措辞之美,令人叹为观止。再举一个例子,“凉爽的天上到处都是西装,掉进凡尘,伤害了我”,您一眼就无法理解它所表达的情感逻辑,而仅仅是“上帝的旨意”,“联营” ,“范琛”和“伤害”。 “四个老式单词,就像野狼迪斯科舞曲中的节拍一样,使你尖叫。

In addition to this breakthrough in expression logic, the high-end writing style that makes the upper and lower sentences of a song look completely unrelated, and the trendy style that allows each classical vocabulary to give full play to its historical role. These lyric writers also gave new connotations to ancient poems in a specific environment.

除了表达逻辑上的这一突破之外,高端的写作风格使一首歌的上下句看起来完全无关,而时髦的风格使每种古典词汇都能充分发挥其历史作用。这些抒情作家还为特定环境下的古代诗歌赋予了新的内涵。

For example, Li Yuanjie, who writes a vibrato with a bad music theory, said "white hair" in "Sorrow for Li Ren", which makes people admire his imagination. "Two Tickles" is even more in "Ventality". On the basis of one article, the time and space echoed with Ma Yinglong ointment was reached. You can’t help but scream. I used to think that only Gongdouju can pass through. Now our Chinese style can pass through too!

例如,用不良的音乐理论写颤音的李远杰,在《为李仁的悲伤》中说“白发”,这让人赞叹他的想象力。 “两挠”在“生命力”中更为重要。在一篇文章的基础上,得出了马英龙药膏呼应的时空。你忍不住尖叫。我曾经以为只有公主堂可以通过。现在我们的中国风格也可以通过!

There are many such masters. For example, Lin Wenxuan, who wrote "Hong Yan" for Hu Yanbin, must have written the words at the beginning, and then wrote "The king puts away the sword, and Fare Ji has gone too far." Another example is "Your smile is like a vicious dog, breaking my heartstrings" in "The Thieves", such a superb metaphor, even if the master of metaphor Zhang Ailing looks ashamed. Comparing "laughter" to "bad dog", and can also confuse the heartstrings, such subjective descriptions have long been a good story in "The Golden Lock" Cao Qiqiao.

有很多这样的大师。例如,为胡彦彬写《红颜》的林文轩一定是在开始时写了这些话,然后又写了“国王收起剑,而费吉已经走得太远了”。另一个例子是《盗贼》中的“你的笑容就像一条恶犬,伤了我的心弦”,这是一个极好的隐喻,即使隐喻的主人张爱玲看上去很ham愧。将“笑声”与“坏狗”进行比较,还可以使人心烦意乱,这种主观的描述在《金锁记》中一直是好故事。

So, it's no wonder that the master of Sinicization, Hua Porridge, wants to teach your associate professor in the Chinese Department of Yangzhou University, thinking that Bi Feiyu who won the Mao Dun Literature Award in your department is amazing?

因此,难怪中国化大师华·波里奇(Hua Porridge)想要在扬州大学中文系教您的副教授,以为在您系中获得茅盾文学奖的毕飞宇感到惊讶吗?

Those of you who write serious novels, still have to learn one more from the traffic words of the Chinese singing circle.

那些写严肃小说的人,仍然必须从中国歌坛的流行语中学习更多。

In 2016, a @ programmer Delton made a generator, which is said to be able to write ancient lyrics. When I saw this news, I was ashamed of my ignorance of AI on the one hand, and on the other hand, I couldn't help calling out to teacher Wenshan in my heart.

2016年,@程序员Delton制作了一个发电机,据说可以编写古代歌词。当我看到这个消息时,一方面我为我对AI的无知感到as愧,另一方面,我不由自主地呼唤文山老师。

In 2016, the Chinese word circle was about to be captured by AI and illiterate people, but teacher Fang Wenshan went to Aishang Media and became the chief cultural officer. Prepare to make "The Promise of Dandelion" and "What About Happiness" into web dramas.

2016年,中文单词圈将被人工智能和不识字的人们所俘获,但方文山老师去了爱尚传媒并成为首席文化官。准备将“蒲公英的承诺”和“幸福感”制作成网络戏剧。

Of course, Teacher Fang’s ideals were originally screenwriters and directors. People chasing dreams with a heart, and others are not good at gossiping. But in 2013, "Hearing the Sound of Raining" has passed the addiction, in addition to writing the theme song for online games,

当然,方老师的理想原本是编剧和导演。人们追逐梦想,而其他人则不善于闲聊。但是在2013年,“听雨声”除了写了在线游戏的主题曲之外,

Although I feel that it is a bit difficult for Teacher Fang to dream of returning to the top, it is easy to write something casually to dilute the stench. It’s terrible. I recently discovered that I’ve been overwhelmed by the high-level lyrics of “I’m wuwu when I think of you~ I’m empty hate, don’t dream for a long time~~ burn the paper ashes and bury the willows”.

尽管我觉得方老师梦dream以求回到顶峰有点困难,但随便写些东西来稀释臭味还是很容易的。它是可怕的。最近,我发现我被“我在想着你的时候就变成了wuwu〜我空无一人的仇恨,长时间不做梦了〜”的高沉歌词淹没了。柳树”。

Beginning with martial arts in Hong Kong, after experiencing the precipitation of a generation of literati in Hong Kong, teacher Fang opened up new branches and explored the use of Chinese classical culture to nourish modern popular lyrics. Step by step, he has come to such a situation in which a hundred flowers bloom and six lines are not separated. It really reminds me of the paragraph Lao Guo said:

方先生从香港武术开始,经历了一代香港文人的沉淀后,开辟了新的分支机构,并探索了如何利用中国古典文化来养育现代流行的歌词。他一步一步走到了这样的情况,一百朵花开了,六行没有分开。这让我想起了老郭说的一段话:

"There are more than 1,000 traditional cross talks left by the old gentleman. After all these years of continuous hard work by our actors, now, there are finally more than 400 remaining."

“这位老先生留下了1000多个传统的相声。经过我们演员多年的不懈努力,现在终于剩下了400多个。”

Teacher Fang, do it yourself.

方老师,你自己做。

 

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